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How to get the most out of music lessons
These guidelines will help you to have a successful, rewarding experience learning an instrument. These are practical tips that we have discovered from years of teaching and our experiences with teaching hundreds of students each year. These are just
general guidelines and every student is different. We suggest you contact us and
schedule a consultation with our Music Director. Please keep in mind
why you want to take music lessons in the first place and
what are the benefits of music education.
1. HOW YOUNG IS TOO YOUNG - STARTING AT THE RIGHT AGE
Adults can start any instrument at any time. Their success is based on how willing an adult is to commit to practicing. We teach many beginner students in their 60’s and 70’s.
For children, starting at the right age is a key element to the success of their lessons. But the right age is very individual. We currently teach an 8-years old who has already performed with a professional orchestra. If a child is put into lessons too soon they may feel overwhelmed and frustrated and want to stop lessons. The last thing you want to do is turn a child off music just because they had one unpleasant experience which could have been prevented. Sometimes if the child waits a year to start lessons their progress can be much faster. Children who are older than the suggested earliest starting age usually do very well. The following are guidelines we have found to be successful in determining how young a child can start taking music lessons.
3 - 4 Years Old. If a pre-schooler has a keen desire and wants to start music, a group preschool music class will give them a good foundation in music basics which will be helpful in later private lessons. At this age, private lessons generally do not work as the child has not yet experienced the formal learning environment of kindergarten or school and learns more effectively through the game oriented preschool environment.
Piano/Keyboard. At our school 5 years old is the youngest age that we start children in private piano lessons. At this age they have begun to develop longer attention spans and can retain material with ease.
Guitar - Acoustic, Electric and Bass. 8 years old is the earliest we recommend for guitar lessons. Guitar playing requires a fair amount of pressure on the fingertips from pressing on the strings. Children under 8 generally have small hands and may find playing uncomfortable. Bass guitar students generally are 10 years old and older.
Voice Lessons. 10 years old is recommended as the youngest age for private vocal lessons. Due to the physical nature of voice lessons (proper breathing techniques, development of the vocal chords and lung capacity), the younger body is generally not yet ready for the rigors of vocal technique. For children younger than 10, we have a children’s group lessons (ages 8-9) and a preschool singing program (ages 3-5) that teaches them how to use their voices properly, in a fun, relaxed environment.
Drums. The average age of our youngest drum student is 8. This varies greatly depending on the size of the child. They have to be able to reach both the pedals and the cymbals.
Flute, Clarinet & Saxophone. Due to lung capacity (and in the case of the saxophone the size of the instrument), we recommend that most woodwind beginners are 9 and older.
Violin. We accept violin students from the age of 5. Some teachers will start children as young as 3, but experience has shown us the most productive learning occurs when the beginner is 5 or older.
Trumpet. The trumpet requires physical exertion and lung power. 9 years and older is a good time to start the trumpet.
2. INSIST ON PRIVATE LESSONS WHEN LEARNING A SPECIFIC INSTRUMENT
Group classes work well for preschool music programs, and theory lessons. However, when actually learning how to play an instrument, private lessons are far superior since in private lessons it is hard to miss anything, and each student can learn at their own pace. This means the teacher does not have to teach a class at a middle-of-the-road level, but has the time and focus to work on the individual student’s strengths and weaknesses. For that lesson period, the student is the primary focus of the teacher. The teachers also enjoy this as they do not have to divide their attention between 5 - 10 students at a time and can help the student be the best they can be.
3. MAKE PRACTICING EASIER
As with anything, improving in music takes practice. One of the main problems with music lessons is the drudgery of practicing and the fight between parents and students to practice every day. Here are some ways to make practicing easier:
Time. Set the same time every day to practice so it becomes part of a routine or habit. This works particularly well for children. Generally the earlier in the day the practicing can occur, the less reminding is required by parents to get the child to practice.
Repetition. We use this method quite often when setting practice schedules for beginners. For a young child 20 or 30 minutes seems like an eternity. Instead of setting a time frame, we use repetition. For example, practice this piece 4 times every day, and this scale 5 times a day. The child then does not pay attention to the amount of time they are practicing their instrument, but knows if they are on repetition number 3 they are almost finished.
Rewards. Rewards work very well for both children and adult students. Some adults reward themselves with a cappuccino after a successful week of practicing. Parents can encourage children to practice by granting them occasional rewards for successful practicing. In our school we reward young children for a successful week of practicing with stars and stickers on their work. Praise tends to be the most coveted award - there just is no substitute for a pat on the back for a job well done. Sometimes we all have a week with little practicing, in that case there is always next week.
Television & Radio Practice! (What?)
Believe it or not if you are working on a scale or exercise that simply needs to be repeated 100’s of times, rent a good movie or watch your favorite sitcom while you practice. A half hour goes by really fast and you will have played a ton of repetitions. It really works well for some people and can work for you too!
4. FIND A RIGHT TEACHING ENVIRONMENT
Learning music is not only about learning how to play or sing. It’s about bringing joy into your life and experience music in all its variety. Find teaching environment that offers their students various music experiences such as field trips to the concerts and museums, opportunity to play with professional orchestras and on the best world’s stages, travel, meeting musicians all over the world and making friends, competing in various contests and participation in community life. All these activities not only enrich one person’s life, but also make practicing more meaningful and exciting.
Most Importantly . . .
HAVE FUN!!
Music should be something that you can enjoy for a lifetime. So, try not to put unrealistic expectations on yourself or your children to learn too quickly. Everyone learns at a different pace and the key is to be able to enjoy the journey.
  
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